Publications (selected)

Books:

Articles and Chapters:

  • “Kenji Yanobe, Atom Suit, and Chornobyl: Enacting Survival After Nuclear Disaster,” Afterimage: The Journal of Media Arts and Cultural Criticism 50/3 (2023): 55–80. https://doi.org/10.1525/aft.2023.50.3.55.
  • “Art Resistance and Russia's 'Non-Invasion' of Ukraine,” East/West: Journal of Ukrainian Studies 9/1 (2022): 67–104. https://doi.org/10.21226/ewjus585.
  • “The Akathistos on the Move and the Geography of Post-Byzantine Art,” in Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions, ed. Maria Alessia Rossi and Alice Isabella Sullivan, 221-238. Berlin, Boston: De Gruyter, 2022. https://doi.org/10.1515/9783110695618-011.
  • “Akathistos Cycles in (post-)Byzantine Art,” Mapping Eastern Europe / Eds. M. A. Rossi and A. I. Sullivan, accessed November 18, 2022, https://mappingeasterneurope.princeton.edu.
  • “The Holy Land Amid Carpathians: The Architectural Backgrounds in the Akathistos Scenes at Lavriv Monastery," in Medieval and Early Modern Art in Central Europe, Ed. Deluga Waldemar J. and Rywiková Daniela, 155–170. Ostrava: Ostravská univerzita, 2019. https://www.academia.edu/123850716/The_Holy_Land_Amid_the_Carpathians_the_Architectural_Backgrounds_in_the_Akathistos_Scenes_at_Lavriv_Monastery
  • “Reasons for Innovation: Unusual post-Byzantine Iconography of Akathistos Strophe 11,” Revue Roumaine d'Histoire de l'Art : Série Beaux-Arts 56 (2019): 19–32. https://www.rrha.istoria-artei.ro/resources/2019/RRHA.BA.2019-Art.02-Nazar%20Kozak.pdf
  • “Art Embedded into Protest: Staging the Ukrainian Maidan,” Art Journal 76/1 (2017): 8–27. https://doi.org/10.1080/00043249.2017.1332873.
  • “How My Art History Was Reborn,” in Global Conversations II: Dominant Ideologies and Political Trauma: Can Art History Be Reborn? Papers to commemorate five years of the CAA-Getty International Program, CAA Annual Conference, February 15–19, 2017 www.collegeart.org/pdf/programs/international/kozak.pdf.
  • “Akathistos Cycle in Supraśl Revisited,” Series Byzantina 14 (2016): 81–95.
  • “Akathistos and Pokrov: A Case Study of Iconographic Contamination,” Izkustvovedski Chetenia/Art Studies Readings (2014): 312-320.
  • “Fragment ktitorskoi kompozitsyi na zapadnoi stene naosa Kirilovskoi tserkvi v Kieve,” [Fragment of Ktretor Scene on the West Wall of the Nave at Saint Cyril Church in Kyiv] in V sozvezdii Lva: Sbornik statei po drevenrussomu iskusstvy v chest Lva Isaakovicha Lifshitsa [In the Leo Constellation: The Collection of studies on Old Rus' Art in Honour of Lev Isaakovich Lifshits], 198-209. Moscow: State Institute for Art Studies, 2014.
  • “Neidentyfikovanyi frahment stinopysu na zakhidnii stini tserkvy sv. Onufria u Lavrovi,” [Unidentified Wall Painting Fragment on the West Wall at Saint Onuphrius Church in Lavriv] Visnyk of Lviv University. Art Studies Series 12 (2013): 325–334.
  • “Persha zhertva 'novykh Atkrytii',” [The First Victim of 'New Discoveries'] in Foundation of St. Sophia Cathedral in Kyiv: Issues of New Dating. Materials of the Round Table, 40-42. Kyiv: Institute of History of Ukraine, 2010.
  • “Vizantia pislia Vizantii v monumentalnomu malarstvi Ukrainy,” [Byzantium after Byzantium in the Wall Paintings of Ukraine] Nazrodoznavchi zoshyty 3-4 (2009): 319-324.
  • “Tsykl Vselenskykh soboriv v stinopysi tserkvy Sv. Onufria v Lavrovi (Chastyna 2): modeli, osoblyvosti, znachennia,” [The Cycle of The Ecumenical Councils at Saint Onouphrios Church in Lavriv (Part 2): Model, Distinct Features, Meaning] Visnyk of Lviv University. Art Studies Series 8 (2008): 70–86.
  • “Tsykl Vselenskykh soboriv v stinopysi tserkvy Sv. Onufria v Lavrovi (Chastyna 1): rekonstrukcia ta identyfikacia,” [The Cycle of The Ecumenical Councils at Saint Onouphrios Church in Lavriv: Reconstruction and Identification], Visnyk of Lviv University. Art Studies Series 7 (2007): 87–113.
  • “Vtracheni frahmenty stinopysu tserkvy sv.Onufria v Lavrovi,” [Lost Fragments of Wall Paintings from Saint Onouphrios Church in Lavriv] Bulletin of Lviv Department of the National Research Restoration Center of Ukraine, 9 (2007): 34–43.
  • “Monastyri, tserkvy ta ikony v zytti ihumena Varlaama,” [Monasteries, Churches and Icons in the Life of Abbot Barlaam] Visnyk of Lviv University. Art Studies Series 5 (2005): 109–115.
  • “Litopysnyi suzhet pro Bohorodytsu Pyrohoschu – dzerelo vidomostei pro pryizd vizantiskykh maistriv do Kyieva,” [A Story about the Virgin “Pyrohoscha” in the Primary Chronicle as a Source on Arrival of Byzantine Artists to Kyiv] Memoirs of Shevchenko Scientific Society 248 (2004): 311-317.
  • “Vizantiiski mytsci v Kyevi u XII stolitti,” [Byzantine Artists in Kyiv in the Twelfth Century] Visnyk of Lviv University. Art Studies Series 3 (2003): 146–160.
  • “Taemnytsia obrazu Pecherskoi Bohorodytsi i kyivska kniahynia Gertruda,” [The Puzzle of the Pecherska Virgin Image and Kyivan Princes Gertruda] Nazrodoznavchi zoshyty 1-2 (2003): 191–194.
  • “Litopysni 'maistry iz Hrekiv' i Desiatynna tserkva u Kyevi,” [The Desiatynna Church in Kyiv and the 'Artists from Greeks' mentioned in Primary Chronicle] Visnyk of Lviv University. Art Studies Series 2 (2002): 115–122.
  • “Z Vizantii na Zakhid. Konceptsia istorii ukrainskoho mystectva V. Zalozetskoho," [From Byzantium to the West: The History of Ukrainian Art concept by Volodymyr Zalozetskyi], Nazrodoznavchi zoshyty 4 (1999): 495–498.
  • “Novovidkryta pamiatka plastyky kniazoi doby z terytorii Mykhailivskoho Zolotoverhoho monastyria,” [The Rediscovered Medieval Relief from the Mykhailivskyi Zolotoverchyi Monastery in Kyiv] Memoirs of Shevchenko Scientific Society 236 (1998): 240–252.

Textbooks:

  • Ukrainske obrazotvorche mystectvo: imena, zhyttiepysy, tvory [Ukrainian Fine Art: Names, Biographies, Art Works], ed. Ihor Holod and Roman Yatsiv (Kharkiv: Fakt, 2012). Forty entries on individual artists.
  • Istoria Vizantii. Vstup u Vizantynistyku [History of Byzantium: Introduction to Byzantine Studies], ed. S.B. Sorochan and L.V. Voitovych (Lviv: Apriori, 2011). Three chapters on art.
  • Medium Aevum: Seredni viky: Pidruchnyk dla Istorychnykh Fakultetiv [Medium Aevum: Middle Ages: Textbook for History Faculties], ed. L.V. Voitovych. (Lviv: Triada Plus, 2010). Two chapters on culture and art.

Translations:

  • Translation into Ukrainian. Oscar G. Brockett and Franklin J. Hildy, History of the Theatre. 10th.Edition. Lviv: Litopys, 2014. Introduction and first four chapters from the Origins to the Middle Ages.
  • Translation into Ukrainian. J.L. Styan, Modern Drama in Theory and Practice, Vol. II: Symbolism, Surrealism, and the Absurd. Lviv: Ivan Franko National University, 2003.

Interviews: